Geometry and organic blackwork may seem like two completely different worlds. On one side, there is mathematical order: lines, proportions, symmetry, rhythm and precisely defined structure. On the other, forms that resemble what can be found in nature: irregular shapes, randomness, fluidity, patterns of growth and the structures of plants and other organisms. What interests me most is the moment when these two worlds begin to meet.
Observation instead of ready-made patterns
I look for inspiration primarily through observing nature, where it is difficult to find perfect regularity. Even when we see symmetry, repetition or a particular rhythm, small differences almost always appear. They are what make a form feel as if it was not generated from a single predetermined pattern. At the same time, mathematics allows us to notice relationships that are not immediately visible. A tension emerges between what can be precisely planned and what develops naturally. That is why I don't treat geometry and organic blackwork as two separate, closed styles. They can complement each other.
Geometry requires focus
Working with geometry is highly precise. A line has to be placed correctly. Proportions need to work. Distances, angles, repetitions and relationships between elements all matter. There is little room for chance here. It is work that requires focus and patience. Each element affects the next, and even a small difference can change the way the entire composition is perceived.
Organic blackwork allows more freedomWith organic blackwork, the situation is somewhat different. I often start with a general idea, marking the direction, key points or basic structure. The rest may only emerge during the tattooing process. Freehand gives me the ability to respond directly to the body. I don't have to anticipate every detail beforehand. I can observe the shape of the arm, the tension of the skin, existing tattoos and how each new form relates to the previous one.Sometimes I only mark out the idea and develop the details while working. It is a completely different kind of focus than with geometry. Less calculation, more reaction.
Between planning and intuition
The most interesting projects emerge somewhere in between. Geometry provides structure. Organic form can be used to break that structure, complement it or lead it in another direction. It doesn't always have to be perfectly symmetrical. Sometimes what is interesting is precisely the fact that a form looks as if it could continue to grow. On one side, order. On the other, unpredictability.
Geometry and natureI'm not interested in copying nature. I'm more interested in trying to understand how its forms come into being. Where does symmetry appear, and where does randomness begin? How can a simple element repeat itself many times and create something much more complex? These observations can then be translated into my own visual language and onto the skin.
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Tattoo design and artificial intelligence
Symmetry and asymmetry in tattooing
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Tattoo and pain that passes
Medical aspects of tattooing
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